Oprah resisting racist oppression in "Selma" |
Hollywood being Hollywood, where cash is king, movie features
had better fill seats. As such, “safe and low risk” pretty much sum up what and
how films get made. Case in point, “Red Tails”, which featured an all-star cast
and spectacular special effects.
The 2012 World War II flick featured something else: a
lousy script. Plagued by cliché dialog, its one-dimensional characters spouted
predictable lines that drove a predictable story line. In short, a very
important story was rendered irrelevant.
"Red Tails" missed the mark big time. Blame Hollywood |
“Selma” wasn’t like that. Directed by Ava DuVernay, the
motion picture was nothing short of powerful. Its portrayal of Dr. King, his
associates and antagonists, was laced with a riveting level of drama befitting
the magnitude of that Civil Rights historic period. The film is acclaimed by
critics and audiences alike (according to Rotten Tomatoes), and is a must see. There’s
something else.
Given the complex story layers and gripping
characterizations, “Selma” should have received more nominations than it did from
the Academy of Motion Pictures Arts & Sciences, the folks who vote for the
prestigious Oscars. The coveted Best Director award, in particular. Not
everyone agrees however. Some lament the historical inaccuracies built into the
story. There’s another, less discussed reason too, but we’ll get to that in a
moment.
Historical inaccuracy is a common complaint whenever
someone creates a biopic. Ever see “JFK”, the 1991 movie that focuses on the assassination
of President Kennedy? How about the 1970 iconic war flick, “Patton”? Both,
while historically inaccurate (as most cinematic releases are), received
multiple Oscar nominations, including best director bids.
Another woman director snubbed by Oscar |
While racism could be lifted up as the prime suspect for
Oscar snubbing director DuVernay (who is African American), sexism looms just
as great. It’s sad but true; since 1929 when The Oscars debuted, just one woman
has ever won Best Director: Kathryn Bigelow for The Hurt Locker, in 2009.
Only three other women have been nominated in 86 years
of Oscar history: Lina Wertmuller (“Seven Beauties”, 1976), Jane Campion (“The
Piano”, 1993) and Sofia Coppola (“Lost in Translation”, 2003).
How is this even possible? Anybody remember the Tom
Hanks fantasy comedy “Big” in 1988. Directed by Penny Marshall, it was the
first feature film directed by a woman to gross more than $100 million (U.S. box
office). Though it was light in tone, it was easily my favorite movie that
year. Then again, I’m not an Oscars voting member.
Marshall went on to direct “Awakenings” (1990), which
was nominated by the Oscars for Best Picture (but not Best Director). She also
directed the gender relevant film, “A League of Their Own” (1992), which
featured a predominantly female cast.
It’s ironic that at their core, the demonstration marches
in Selma were about voting. With both men and women voting at the Oscars,
something sinister and systematic is happening. My guess is it has to do with
that old familiar disease feminists and their allies call patriarchy.
Time to take a critical look at Oscar. Check that. It’s
time for Oscar to look in the mirror.